Showing posts with label De la Rey. Show all posts
Showing posts with label De la Rey. Show all posts

Tuesday, March 06, 2007

'From Voëlvry to De La Rey: Popular music, Afrikaner Nationalism and lost irony'

The De la Rey 'saga' (for background go here) has now reached the point where intellectuals are writing academic papers on it... Oh my! What's next?

I've expressed my irritation with the surprising momentum this whole circus is enjoying on this blog in the recent past. Yet, here I am mentioning it again. Guilty by association.

A 'draft' paper by Andries (Roof) Bezuidenhout has been published on LitNet - an Afrikaans socio-literary web space. "From Voëlvry to De La Rey: Popular music, Afrikaner Nationalism and lost irony" has apparently been presented at a seminar at the University of Pretoria's Sociology Department (Roof's alma mater). It does make for very interesting reading. For one thing I enjoy the fact that it puts the song (De la Rey) in perspective, within the context of a much larger body of work going back about two decades.

For those who followed or partook in the phenomenon that was the Voëlvry Toer and who experienced the 'alternative' Afrikaans rock scene in the early nineties, the paper will make for a nostalgic walk down memory lane. It is not intended to be nostalgic, everything but. However, it brought back good memories and a new appreciation for the substance of the movement. Bezuidenhout does dish out a fair amount of criticism regarding that particular era as well.

The more academic approach to the De la Rey saga, and placing it in a bigger context - thus removing the over emphasis placed on the song in recent times -, is a very welcome fresh breeze. I hope this is a first step towards a more considered thoughtful discussion around the underlying issues and a shift away from De la Rey...

Tuesday, February 27, 2007

'De la Rey, De la Rey' featured in Big Apple and UK

South African newspapers and blogs have been buzzing lately ad nauseum on the topic of Afrikaner identity and -nationalism (God forbid). All of this because of the incredible success of an Afrikaans rock ballad recalling the Anglo-Boer War and one General De la Rey. Personally I feel the song simply features a cool tune and catchy lyrics. All the other hocus pocus that came to the fore is in fact unrelated to the song. The latter is simply a convenient hook on which to 'hang' the more important issue.

I'll spend some time on addressing my imperfect views on Afrikaner identity soon.

For now I'm intrigued by the coverage the song has spawned. Initially within South Africa and now even globally. I picked up on a friend's blog (Mhambi) this morning that the Guardian (UK paper) covered the strange De la Rey phenomenon. On taking a peek at one of my favourite online sources, the New York Times, I was surprised to see De la Rey jumping off the 'front' page at me (online version). What the hell is going on!? Anyways, both papers deal very responsibly with the topic. Thankfully. I'm glad that global journalists, thus far, aren't predicting an up-rise by Afrikaners - a ridiculous notion.

I do believe an ongoing discussion on the identity and role of Afrikaans / Afrikaners is important. Especially in the context of the position of minorities within diverse societies. However, I think an ongoing debate on the role of the De la Rey song is ludicrous. It's a debate that ends up going in circles. I hope people will move on to a more meaningful discussion of the underlying issues.

If you somehow missed out on the De la Rey mania, I gladly include a Carte Blanche piece (source: YouTube) on the song and the hysteria around it. Amongst others, it features an old friend from my university days - Andries Bezuidenhout, better known as Roof Bezuidenhout. I very rarely get to see Andries these days, but I'm always interested to hear his views. He has played a big role in my own intellectual and political development as student. As can be expected a TV piece will always cut and edit interviews - thus resulting in excerpts which does not reflect the full complexity of arguments / views expressed in the original interview. I tried to include the actual music video as well but it would not show - I'll try and fix it when I have time...